Speakers are mainly defined by the quality of sound reproduction. Recently, kits have also begun to be evaluated by the possibilities of communication support and support for network signal sources. But depending on the location of the equipment, structural qualities may also come to the fore. This approach is most clearly demonstrated by the example of landscape acoustics, which is designed for use in gardens, summer cottages and household plots.
Acoustic features
Systems of this type have two fundamental differences - a structure protected from external conditions and a design that can organically fit into a garden or park composition. As for the first aspect, all-weather models are the most attractive. They can be used outdoors all year round regardless of weather conditions. The cases of such devices withstand the effects of wind, rain and snow. At the same time, protection is determined not only by the case materials, but also by the device of the functional filling with moisture-resistant shells.
But the materials of the hull itself bear a high responsibility, since during operation physical impacts on the landscape are also possible.acoustics. Features in terms of design performance are expressed by artistic and aesthetic properties. If a standard home audio system, as a rule, has a strict design, then the appearance of landscape models should act as a decor for landscape gardening.
Varieties of systems
Acoustics for the garden differ in design, materials of manufacture and method of placement. By design, you can distinguish speakers with a traditional form factor, wall speakers, as well as compact players that mimic the details of garden decoration. For example, there are entire lines with models that recreate the texture and texture of stones.
Outdoor material must be special because, as already noted, it is affected by many factors. Most often there are landscape acoustics made of composite and polymer materials. These types of plastics are universal in terms of protective qualities, although they do not directly affect the acoustic properties of the device in the best way. Wood and metal are also found in such devices, but these materials are also specially treated with external coatings before assembling the case.
According to the location, the models are divided into suspended, wall-mounted, underground (capsule) and standard ground solutions.
Wired and wireless speakers
For any outdoor acoustics, the issue of autonomy is acute. If there is a purposeorganizing an acoustic system that will not betray its foreign origin in a garden composition, then wiring can be a problem. However, it is impractical to abandon the supply lines and switch to a battery supply. Therefore, for power supply, wires are laid, albeit low-voltage ones, to minimize the possibility of electrical injuries to children and animals.
At the same time, communication with sound sources may well do without a direct connection. For example, wireless landscape acoustics can be equipped with Wi-Fi and Bluetooth modules for remote data transfer from a smartphone, computer or modem. But even here there are nuances. Still, traditional speaker wiring is by far the best signal translator in terms of noise immunity and overall stream quality.
SpeakerCraft Ruckus Models
The developers of the Ruckus line tried to combine several contradictory performance qualities in one system - all-weather resistance of the case, decent sound quality and ergonomics. And all this can be realized in a garden plot. The series represents three typical coaxial models with dimensions from 5 to 8 inches. A device with a double tweeter is also presented, as well as a subwoofer equipped with an amplifying base. Separately, it is worth emphasizing that SpeakerCraft landscape acoustics disguise themselves as sandstone or granite, which allows you to decorate stone compositions with its help.
RK63 Brown by Sonance
Sonance has inrange of several lines of acoustic systems designed for use in park and garden areas. The RK63 model can be called a balanced solution in terms of performance. The device is suitable for all-weather outdoor applications and solves the problem of filling large open areas with sound. Among the advantages of landscape acoustics Sonance RK63 Brown, one can also highlight the stylization of a beige stone, so there will be no problems with masking the system. It can be used as a background player in the garden, in the yard, by the pool or as a gazebo with barbecue. A combination of weatherproof materials was used to protect against precipitation, UV radiation and shock, and the designers provided an electrically conductive filling with internal moisture insulation.
GeoRealistic Rock Model by Niles
The Niles manufacturer also contains several interesting options in its family for lovers of listening to music in a country house or garden. Representatives of the GeoRealistic Rock line have natural stone finishes with a wide choice of colors. In particular, music lovers are offered shades for granite, slate, coral or sandstone. It is important to emphasize that the applied textured coating does not lose its qualities under external influences. Specialists have used a special colorfast composition, so landscape acoustics can withstand both rain and direct sunlight. In terms of physical protection, the design at the speaker placement point received a Micro Perf aluminum grille. Atif desired, it can be supplemented with overhead or ground-type satellites, which are made in the appropriate style.
How to choose the best option?
Of course, the choice should take into account not only the stylistic and structural characteristics of the system. There will be no point in them if the device cannot meet the user's musical needs. Therefore, you should also pay attention to the power of the system, the frequency range, the impedance and the number of bands.
An important nuance is the selection of the fastening mechanism. While all-weather landscape speakers can simply be placed outdoors next to similarly styled natural garden elements, wall-mounted speakers, for example, will require special mounting brackets. It is important to view such equipment in advance in the package, correlating its characteristics with the specific conditions of the installation site.
Conclusion
The concept of organizing street acoustics has recently attracted more and more music lovers. Many note that in open areas, decorated with exquisite garden compositions, sound waves are perceived differently. But you should not expect that landscape acoustics will be able to approach home and even more so studio counterparts in terms of purity, depth and detail of reproduction. The initial design data is not focused on such tasks. In addition, the street environment will not allow to achieve sufficient amplification of the sound wave, since there are no reflectivebarriers. At the same time, the garden sound still has its own special shades, for which landscape systems acquire.
